I wanted for my book two different illustrations to represent SGXV and Leeds. Then I discovered the graphic designer George Greaves who only works with simple shapes and colours. It’s a minimalistic design approach, this style is extremely affordable in all possible ways.
- It is accessible to people with even limited skills and training,
- it is easy to understand (and this would be the reason we use extremely simplified images as pictograms and signs for universal navigation),
- it is affordable in production (less decorated the object is, less details it consists of, cheaper it is in design and production),
- and it is simple to reproduce (to produce multiple copies without loss of quality).
I decided to use my own pictures to colour my shapes. It was important for me to associate the colours and the material that I could find in these two specific places with my illustrations. Indeed, I selected zooms of my pictures and I did a clipping masks with my shapes.
I finally did a selection of shapes which symbolises the city and the coat as well as possible.
ILLUSTRATION POSITION
Also, I wanted to help the reader to understand in which way they have to read each story. That’s why I put the shapes in a different place for each page. They move from left to right for SGXV’s shapes and conversely for Leeds’s shapes.
TYPEFACES
After a research on the internet, I realised the fonts for books are generally unobtrusive serif. Indeed the typography must be clear and legible to permit easy reading. Therefore I chose Garamond. In such way sans serif fonts are more difficult to read. For this reason, they are used most often for short text such as title, then I used Aller for it. It offers all of the sans serif's function, I mean: geometric, legible, simple.
I could have chosen Times new Roman for the unobtrusive serif, but I think it's overused and we're becoming bored of this type.








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